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The Origins of Alternative Australia

 
   
   

 

Triple J is a national Australian radio station, playing alternative music (mostly shit, and mostly rap/house/unlistenable) around the clock...but how did it begin? When? Why? I don't care, but this article appeared in a Sydney school magazine in 1976.

     
         
 

The more observant ***** girl, while waiting at the bus stop in William Street, may have noticed various people, laden with records, regularly disappearing up some stairs near the Jaguar display rooms. On the second floor of No.177 are the offices of Sydney’s most recently established radio station, 2JJ; and just across the road in Forbes Street is their studio.

Prior to the establishment of 2JJ, the only radio station providing regular contemporary popular music was one of the commercials, whose repertoire was somewhat limited – the top forty played over and over and over…The A.B.C., realising the need for an alternative radio station, appointed Ross Moss and Marius Webb as co-ordinators charged with the task of setting up 2JJ, which first went to air in January, 1975.

Unfortunately, their limited funds meant they had to make use of an old transmitter situated at Liverpool, the result being that one-third of the potential Sydney audience is still unable to pick up 2JJ. In the first year of operation, 2JJ organised free concerts which were held in and around Sydney. Further cuts in their already slim budget (since the change of government) have made these less frequent; however, the musically-minded but broke ***** girls should find out when they do happen, as the bands are always top Australian groups, and it is usually a great afternoon’s entertainment. They also hold free studio concerts every Tuesday night to which everyone is invited.

2JJ offers an alternative in the type of material broadcasted. Material broadcasted from commercial stations tends to be dictated by the record companies, so that radio becomes very much a source of promotion for them. Double-Jay, free from payola, is able to broadcast a wide range of music, of which at least 20 per cent is Australian, thus encouraging the Australian music scene and giving air-play to promising local musicians. Their record-library contains 7,000 L.P.s and this figure combined with the announcers’ own records and the station’s collection of singles, results in a very diversified range of music being played. One may wonder why 2JJ tends to play rather obscure music in preference to that of popular groups like ABBA, but they explained to us that they regard ABBA’s huge success as a result of enormous promotion by record companies, rather than their enormous talent, which is, they feel, matched by any number of Australian groups.

2JJ also provides an alternative new programme from 4pm to 6pm, which covers not only topical news, but also news from the third world, community and political controversies, with many interesting interviews, and theatre and film reviews. Another service provided is the ‘What’s On’ programme, which gives information about concerts, plays and films. During the breakfast session, there are traffic, surf, and weather reports, though we have found their meteorological information to be somewhat unreliable!

Like any new venture, Double-Jay has received criticism from various sources, some of it probably merited, though the suggestion of one critic that the station should be taken out of the hands of ‘the communist drop-outs running it at present’, and handed over to the Boy Scouts, seems rather extreme! However, as we see it, the main contribution of 2JJ has been to broaden the spectrum of contemporary music and, through competition with commercial radio stations, to help raise the general standard of popular broadcasting.

   
   
         

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